Shona Macnaughton:Progressive (2017)
This introduction to Shona Macnaughton’s artwork Progressive (2017) was created by Kirsten Lloyd, School of History of Art, The University of Edinburgh.
The PowerPoint can be downloaded here (.pptx)
Art and the City
- Rosalyn Deutsche and Cara Gendel Ryan, ‘The Fine Art of Gentrification’, October 31 (1984): 91–111. Josephine Berry Slater and Anthony Iles, ‘No Room to Move: Radical Art and the Regenerate City’, Mute, 2009, https://www.metamute.org/editorial/articles/no-room-to-move-radical-art-and-regenerate-city.
- Richard Florida, ‘The Rise of the Creative Class’, Washington Monthly, May 2002, https://washingtonmonthly.com/magazine/may-2002/the-rise-of-the-creative-class/.
Gender and Gentrification
- Kirsteen Paton, Gentrification: A Working-Class Perspective (Farnham: Ashgate, 2014).
- Winifred Curran, Gender and Gentrification (Abingdon, Oxon; New York: Routledge, 2017).
Questions for Group Work
- What links does the artist draw between her own body and the environment, and to what ends?
- Is neoliberal urbanism a concern for feminist struggle?
- Liz Bondi, ‘Gender Divisions and Gentrification: A Critique’, Transactions of the Institute of British Geographers 16, no. 2 (1991): 190–98.
- Catriona Burness, ‘Remember Mary Barbour’, Scottish Labour History 50 (2015): 81–96.
- Neil Gray, ed., Rent and Its Discontents (London; New York: Rowman & Littlefield International, 2018).
- Neil Gray and Gerry Mooney, ‘Glasgow’s New Urban Frontier: “Civilising” the Population of “Glasgow East”’, City 15, no. 1 (2011): 4–24.
- Hamish Kallin, ‘Opening the Reputational Gap’, in Negative Neighbourhood Reputation and Place Attachment: The Production and Contestation of Territorial Stigma, ed. Paul Kirkness and Andreas Tije-Dra (Abingdon: Routledge, 2017), 103–18.
- Leslie Kern, ‘From Toxic Wreck to Crunchy Chic: Environmental Gentrification through the Body’, Environment and Planning D: Society and Space 33, no. 1 (2015): 67–83
- Gregory Sholette, Dark Matter: Art and Politics in the Age of Enterprise Culture (London ; New York: Pluto Press, 2011).
This resource is licensed CC BY NC ND, Kirsten Lloyd, University of Edinburgh, 2021.
All images, unless otherwise stated: Shona Macnaughton, Progressive (2017) performance documentation. Photography Matthew Williams. University of Edinburgh Art Collection. CC BY NC ND.
Header image Abstract Urban Gray Pattern by Sherrie Thai, CC BY, Flickr.